![]() ![]() Play one frame and then go into pause mode again. Pressing once will pause, every consecutive press will p / SPACE Pause (pressing again unpauses). Use this to seek around in the file and then return to the exact position This will then be used by Shift+BACKSPACEĪs revert position (once you seek back, the marker will be reset). Shift+Ctrl+BACKSPACE Mark the current position. Hitting it a second time will go back to the original position. This works only if the playlist entry was not changed. BACKSPACE Reset playback speed to normal. ![]() Decrease/increase current playback speed by 10%. This is especially useful to sync subtitles to audio. Ctrl+Shift+Left and Ctrl+Shift+Right Adjust subtitle delay so that the next or previous subtitle is displayed Might not always work see sub-seek command. Ctrl+LEFT and Ctrl+RIGHT Seek to the previous/next subtitle. Shift+arrow does a 5 second exact seek (see UP and DOWN Seek forward/backward 1 minute. To remove an existing tuplet, put your cursor in the tuplet, and click on the tuplet icon to remove it (see example above).Keyboard Control LEFT and RIGHT Seek backward/forward 5 seconds. With our 2018 major update, we make the usage of tuplet much easier on Flat. Previously, you had to calculate the total duration of the tuplet before inserting it, and some users didn’t understand how to insert triplet of quarter notes. If you used Flat before Decembre 2018: We changed the behavior of the tuplets insertion to make it easier for everyone. To insert a triplet of quarter notes, insert a quarter rest/note, then click on Tuplet and choose Triplet.To insert a triplet of eighths notes, insert an eighth rest/note, then click on Tuplet and choose Triplet.On Flat, you can add a tuplet by choosing first the inner duration of the tuplet, then open the Note toolbar, and click on the Tuplet icon and choose the tuplet you want to use. The most common type of tuplet is the triplet. This is indicated by a number, indicating the fraction involved. In music, a tuplet is “any rhythm that involves dividing the beat into a different number of equal subdivisions from that usually permitted by the time-signature”. ![]()
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